On Friday, I interviewed feminist technologists at a demo showcase in New York City. (Thanks to NYC Media Lab (a higher education-city government-industry partnership) for giving me a press pass to their 2015 annual summit.)
Ms. Fleurantin, (MPS ’15, NYU ITP), discussed her design with me, explaining that instead of being a phallic accessory like a lot of other erotic devices, Patchworked Venus emphasizes other erogenous zones. Her artist’s statement asks:
How can an erotic device become a tool for body modification: an extension of the user rather than a facsimile of an external, imagined person? And what then becomes of this augmented wearer, specifically when her body is not raceless like those present in dominant representations of the cyborg?
Patchworked Venus explores these questions by casting an intimate experience within the context of dress as performance.
The garment, in contrast to conventional vibrators, is meant to be worn, and uses heat, compression, and touch on the wearer’s back, inner thighs, and nipples. A warm circuit provides heat over the breast, motors like those used for haptic response in mobile phones give the user a sensation of touch on the back and the inner thighs, and an inflatable jacket and hood literally embrace the wearer with a pneumatic actuating system, providing a pleasant feeling of compression and constriction. She “designed and milled breakout boards for use with the Adafruit Flora” (from her “About” page). Ms. Fleurantin also considered using soft robotics and lithography to give the wearer a sensation of breath on the skin, but decided against it since that approach would require a large, loud air compressor.
Check out her ten-minute thesis presentation for more on the Erotic Haptic Device and Patchworked Venus. In it, Ms. Fleurantin discusses her influences and process, including her upbringing as a black woman, learning from her mother how important self-presentation, grooming, and clothing were. I noted down some names and links from that presentation and from my conversation with her on Friday:
- Kate Hartman of the OCAD Social Body Lab, who’s also creating garments and wearables that express something about our emotions or environment
- Lea Albaugh’s Clothing for Moderns work at Carnegie Mellon (Adafruit coverage) – not a direct influence, but in the same discourse/conversation as Ms. Fleurantin
- Donna Haraway, “A Cyborg Manifesto”
- Derica Shields’s RHIZOME talk about black women as cyborgs in 1990s music videos
- “Venus in Two Acts” by Saidiya Hartman, on Venus as a historical trope regarding the Atlantic slave trade and white perspectives on black women’s bodies
- On black women’s bodies and sexuality: “The problem with Beyhive Bottom Bitch Feminism”, Real Colored Girls
- “My placement of the circuits were based on the work of Dr. Betty Dodson and the first ever study on erogenous zones Reports of Intimate Touch (conducted in 2013!) by Turnbull, Lovett, Chaldecott, and Lucas.”
(I had previously known Ms. Fleurantin because of her work on user research for the Mozilla wiki; I’ll be curious to see her next project as well!)
I spoke with Lucy M. Bonner and tried out her immersive harassment simulator “Compliment”. Ms. Bonner (MFA Design and Technology ’16, Parsons the New School for Design) developed “Compliment,” a virtual reality experience using the Oculus Rift, and you can see a demo video on YouTube if you sign in.
From her artist’s statement:
Compliment is an immersive experience of street harassment designed and created for the Oculus Rift. It demonstrates the fact that harassment creates an atmosphere of intimidation and tension for women on a daily basis, that it is not ok, and that it is not a compliment. Compliment conveys the forceful intrusion and violation of space and attention that makes a woman feel vulnerable, angry, and silenced in order to raise awareness and effect change.
Ms. Bonner received much more street harassment when she moved from Houston to New York City, and used those catcalls she heard in real life to populate the set of harassing comments that simulated harassers say to the player. She appreciates how virtual reality lets her offer, say, a 6-foot-2-inches man a way to experience the world as a shorter, more vulnerable person. “Many of the harassers in the experience are much larger than the player, which creates part of the sense of danger and intrusion in confrontations.” Also: “Players are unable to respond, as in the real world with concern for safety, and are forced to constantly hear and dodge unwanted attention.”
I mentioned to Ms. Bonner a truism I’ve heard (via Adria Richards or Lukas Blakk, I believe) that men tend to use augmented reality experiences like Google Glass to more powerfully navigate the world, while women tend to use them to document their experience in the world. Ms. Bonner wouldn’t put “Compliment” in that latter category, and not just because VR and augmented reality are different approaches; she considers “Compliment” more outwardly focused, showing other people what her experience is like rather than concentrating on gathering proof of the experience itself. “Compliment” conveys, as she puts it, the “cumulative atmosphere of silencing and objectification”.
Ms. Chin said that it’s been nice to be able to use things guys have said to her, and that hearing or seeing new annoying messages, she figures, it’s going into the pot. (This includes a comment a guy said to her during fair setup, just before I arrived.) You can also click the “Feed Me” button to add something a guy has said to you, if you’d like to add more quotes to the database.
Mr. Collinsworth hopes d.Bot will help men experience what women experience, both online and in the physical world; any one guy saying uncreative things doesn’t experience what it’s like to hear those same comments frequently and en masse. In that vein, he suggested that perhaps Tinder could show users an originality score as they type messages to other users, flagging likely boring messages and discouraging users from sending them.
Ms. Chin said that she’s seen other critique of boring or harassing men (street harassers and OKCupid and Tinder users) that’s more in a name-and-shame mode, and that she wonders whether a critique in the form of humor around originality and creativity would be more likely to change the player’s behavior, as opposed to dinging a user and saying “you’re a bad person”. For her and for other d.Bot users, the bot is also a fun way to vent — she said she’s seen women happy to finally have a chance to talk back to these messages in a safe, consequence-free sandbox.
I asked for her thoughts on feminist dating apps like Bumble, and we discussed the possibility that Bumble (in which women can and men cannot initiate conversation) is just moving the problem a little further down the road; instead of screening out men at the stage of initial online conversation, het women might find that they go on more dates with men who don’t interact well.
Ms. Raffaelli (MS Integrated Digital Media ’16, NYU Polytechnic School of Engineering) and I spoke a little on Friday, and then she answered my questions on SHVRK, her influences, and her feminism via email:
There are apps for women to track women’s cycles, and there are apps for men to track what they don’t like about women’s cycles. The former often have pastel palettes, cute logos, and an emphasis on fertility and pregnancy. The latter have a handful of angry responses from the feminist community.
As long as bodily fluids and excretions are taboo, periods will be taboo. The app was never meant to change anybody’s views of leftover uterine lining. That said, the divisive nature of the current apps on the market doesn’t offer many people the opportunity to level the playing field. What we need is an app with an interface with universal appeal. We need an app that doesn’t perpetuate traditional stereotypes, but educates and facilitates. We need an app that makes the monthly inconvenience a little more convenient.
I’ve tried apps with features I didn’t need. I don’t need help getting pregnant, I don’t need to share my uterine woes with a community of empathetic blood sisters, and I don’t need cute puppies to guide me through reminders to hydrate. What I do need is an app that alerts my man to the state of my hormones. What about the men who don’t care about the difference between pads and tampons, ovulation versus menstruation, or what PMS really stands for? Well, I don’t blame themI’m not sure I would care for the details either if I didn’t go through it monthly.
The first steps were figuring out what would make a man WANT to use the same period app as a woman. My favorite answers were from the “make me a sandwich” types of guys. If this could get you laid, would you use the app? But of course.
Who is this app for? This is for women who like men, men who like women, and women who like women. This is for the monogamous and polyamorous. This is for the people with a sense of humor. This app is for those who say “I don’t trust anything that bleeds for a week and doesn’t die.” This is for anybody who has ever been cockblocked by a period.
“…why you made SHVRK (including your dissatisfactions with other services and apps)…”
My shark week isn’t a big deal. In fact, I usually forget about it, and that’s why I started to use the apps. These would give me a heads up, and I realized, you know who else could use these updates? My boyfriend. When the conversation comes up, he tries to either be understanding or a comedian. He cares, but he’ll never really get it. Why not give him just the information he needs without framing it in etiquette and small talk?
My research showed that there were tons of apps for men. They seemed to have exploded between 2008 and 2010, and most of them enraged the feminist community. Could it be possible to make one app that could appeal to those menstruating as well as those not menstruating?
“…what technologies you used to make it…”
The graphite pencil. Illustrator, After Effects, and the rest of the Adobe suite. Started playing around with a bit of this and that for the final product, from PHP to Swift… This is a lot of learning as I go.
“…what some next steps are…”
Step 1: iOS or Android? Step 2: Launch.
“…your feminism and the ways in which the project is feminist…”
Feminism can be a scary word. Every female in this society develops a relationship with it, and that makes it a weighty, frustrating, and complex matter. Feminism is a spectrum. We might avoid it all costs, or we embrace our own definition, or we embody someone else’s interpretation without realizing it. That’s about all I can say about ‘feminism’.
I want to bid farewell to manbashing and figurative braburning. There are too many women in the world with no access to proper hygiene products and women who are cast out of their homes during that time of the month, but there are also too many manbashers and braburners here fighting a fight that’s been fought here. What if we take another approach to understanding the difference between men and women in the little world of people with smartphones and access to clean running water?
In April, Leslee Udwin visited NYU for a special screening of her film India’s Daughter. There are two relevant memorable moments from that night. The first was when Leslee Udwin said she set out to answer ‘why men rape’. The second was when I asked if she had found her answer, and she responded that she expected the men she interviewed to be monsters. She expected them to be textbook psychopaths. What she found was that they were just humans like you and me. They were not ‘bad apples’ spoiling the barrel. The barrel was bad.
There are bad apple feminists the same way there are bad apple chauvinists. SHVRK is not about redefining ‘man’ or ‘woman’, but about leveling the playing field between unique individuals like you and me, so we don’t have to hear “Are you PMSing? Are you on your period?”
“…and what or who some of your influences are.”
Leslee Udwin is pretty amazing, but here I have to officially say Happenstance. Nothing goes up on a pedestal like happenstance. Letting the cards fall as they may is magical and always a little mysterious. Let it lead the way.
I concentrated in this piece on discussing demos from the summit that particularly spoke to me on a feminist level, but I saw women technologists presenting many projects you might find interesting for other reasons. StackedUp uses AI for investigative reporting. NEW YOARK is an augmented reality mobile app that emphasizes the diversity of languages spoken in New York City. Bullet Pointe Lab designs and makes innovative clothes for ballet dancers, such as shorts with heating elements to help warm hips so they can open more fully. I saw multiple more clothing-related apps, natural language processing research, a tool to help you analyze your own social media activity, and a Twitter bot and collaborative storytelling and coding project telling the stories of people incarcerated at the Rikers Island correctional facility. On my way out the door, I spoke to one of the event staffers, a woman who’s working on Haveyouseenthem.org, a project to use the web and stickers on milk cartons to raise awareness of missing Central American and Mexican migrants.
Thanks again to NYC Media Lab and to the innovators who spoke with me.